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007 Secrets of Brilliant Photography

Brilliant photographers attend to the moment.


While actively seeking photographic opportunities is one thing, planning your shooting position can be just as beneficial. Take note of key elements in your setting and then wait for a complimentary topic to present itself, even if only briefly. In this case, Brian Mullins used a crane to create a frame within a frame and waited for the appropriate subject to walk by.


They seek out connections


A good piece of street photography tells a storey, and a better shot can tell the storey without any additional text. Consider interpersonal touch, gesticulation, and eye contact – these all contribute to the creation of powerful emotive characteristics that audiences can grab onto. Lead subjects into the photograph by giving them more room on one side of the frame – if anyone is looking in one direction, give them more space on that side of the frame. Although doing the opposite of this will seem jarring, it may be necessary if that is the intended message of your shot.


They return to previously visited locations


Identifying successful local hangout spots makes it simple to return at a later date. Make an attempt to shoot at various times of the day and in a variety of weather conditions, and make use of smart device software to assist. For instance, PhotoPills is an app that provides precise solar and lunar positions at any time, anywhere in the world. When combined with weather apps such as MetOffice or AccuWeather, you can create a visual representation of when the light would be most favourable for specific locations.


They also utilize black and white images.


Rather than switching to black and white later, shooting in black and white provides an insight into the tonal and textural aspects of photography. By omitting colour, you omit distracting elements as well. A vibrant sign or painting is now made in grey and therefore loses its appeal. Chiaroscuro is the name often given to this technique.


They make colour choices carefully, always.


To merge context and foreground elements, a Durham photographer looks for vibrant subjects that fit well together. Via the use of the colour red, a tent pitched alongside a road on some wasteland is connected to the well-kept studios behind. Despite the obvious juxtaposition of wealth and poverty, it connects the two.


They know oblique angles are best.


Ascend to a height and aim downward, or descend to a depth and shoot upward. Although it's convenient to take shots at head height while wandering, taking the time to switch perspectives can result in more unique imagery. Lower angles that look up at subjects convey a sense of dominance and scale to the subject while aiming down on something conveys the opposite.


Employ a continuous shutter.


Due to the rapid pace of the action unfolding in front of you, you will not have much time to recompose or wait for the perfect speech. Rather than taking a single shot, press and hold the shutter release button for brief periods to capture a burst of images. This way, you can later pick your favourite.

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